Artistic purity and the rhetoric of fiction
General rules, I: "True novels must be realistic"
General rules, II: "All authors should be objective"
General rules, III: "True art ignores the audience"
General rules, IV: Emotions, beliefs, and the reader's objectivity
The authors's voice in fiction
The uses of reliable commentary
Telling as showing: dramatized narrators, reliable and unreliable
Control of distance in Jane Austen's Emma
The uses of authorial silence
The price of impersonal narration, I: Confusion of distance
The price of impersonal narration, II: Henry James and the unreliable narrator
The morality of impersonal narration.
