I ǂg I ǂt The Production, Reproduction, and Reception of the Work of Art 1. The Work of Art in the Age of Its Technological Reproducibility: Second Version. 2.Theory of Distraction. 3.To the Planetarium, 4.Garlanded Entrance. 5.The Rigorous Study of Art. 6. Imperial Panorama. 7.The Telephone. 8.The Author as Producer. 9.Paris, the Capital of the Nineteenth Century. 10. Eduard Fuchs, Collector and Historian. 11. Review of Sternberger's Panorama. ǂg II ǂt Script, Image, Script-Image 12. Attested Auditor of Books. 13. This Space for Rent. 14. The Antinomies of Allegorical Exegesis ǂg III ǂt Painting and Graphics. 15. The Ruin. 16. Dismemberment of Language. 17. Graphology Old and New. ǂg IV ǂt Photography 18. Painting and the Graphic Arts. 19. On Painting, or Sign and Mark. 20. A Glimpse into the World of Children's Books. 21. Dream Kitsch. 22. Moonlit Nights on the Rue La Boetie. 23. Chambermaids' Romances of the Past Century. 24. Antoine Wiertz: Thoughts and Visions of a Severed Head. 25. Some Remarks on Folk Art. 26. Chinese Paintings at the Bibliotheque Nationale. ǂg IV. Photography. 27. News about Flowers. 28. Little History of Photography. 29. Letter from Paris (2): Painting and Photography. 30. Review of Freund's Photographie en France au dix-neuvieme siecle. ǂg Film. 31. On the Present Situation of Russian Film. 32. Reply to Oscar A. H. Schmitz. 33. Chaplin. 34 Chaplin in retrospect. 35. Mickey Mouse. 36. The Formula in Which the Dialectical Structure of Film Finds Expression.
VI ǂt The Publishing Industry and Radio.
38. A Critique of the Publishing Industry.
41. Reflections on Radio.
43. Conversation with Ernst Schoen.
44. Two Types of Popularity: Fundamental Reflections on a Radio Play.
