A tear that does not drop, but folds
Crying is structured like a language
Film theory's absent center
Emotion, feeling, excess, affect
Mise-n'en-scene: formalism after presence
The illumination of light
Visible darkness: optics according to Augustine
Ongoing dialogues with loss
Grief and the undialectical image
Where being would have been
Aesthetic exclusions and the worse than the worst
What is worse than the worst
Objects, abjects, close-ups
Wild hearts, sick figures
Disgust and the cinema of haut go't
Gastronomy according to Peter Greenaway
On having an excellent palate
Interval: formalism and affectivity
Intermittency, embarrassment, dismay
These things that creep, stir and squirm
Interruption or the interval
Nothing/will have taken place/but the place: open water anxiety
A shark is a form of time
Death is a turn of the color wheel
To begin again: the ingression of joyful forms
Affirmable modes of recurrence
Putting one's faith in form.
