Feelings, identification and the problematics of cinema
Introduction to part one: the emotional work of cinema: intersubjectivity, affective properties and emotional states
The feeling of having a feeling: cinema and Leibniz' 'little perceptions'
Butterfly affects: incremental narrative changes and compound representations in contemporary film and adaptation
What becomes of the tender-hearted: transcendence, Geist and lifeworld in popular independent cinema
The surround of cinema. Introduction to part two: adventure is out there (where I see): the surround of cinema
I love you, man: mandate movies, bromantic comedies and the 'frat pack'
The all-around-all-at-once: innovation and attention-seeking in
Adventures in the cinematic afterlife: a phenomenology of the cinematic glance
Conclusion: the cinematic glance: commodity-identity, its afterlife and foreclosure.
