Discovering Orson Welles

I missed it at the movies: objections to "Raising Kane"

The voice and the eye: a commentary on the Heart or darkness script

Notes on a conversation with Welles

First impressions of F for fake

The butterfly and the whale: Orson Welles's F for fake

Prime cut (the 107-minute Touch of evil)

André Bazin and the politics of sound in Touch of evil

The invisible Orson Welles: a first inventory

Reviews of biographies by Barbara Leaming and Charles Higham and a critical edition of Touch of evil

Afterword to The big brass ring, a screenplay by Orson Welles (with Oja Kodar)

Wellesian: Quixote in a trashcan (New York University Welles Conference)

Reviews of Citizen Welles and a critical edition of Chimes at midnight

Review of Orson Welles: A bio-bibliography

Orson Welles's essay films and documentary fictions: a two-part speculation

The seven Arkadins

Othello goes Hollywood

Truth and consequence: On it's all true: based on an unfinished film by Orson Welles

Afterword to The cradle will rock, an original screenplay by Orson Welles

Orson Welles in the U.S.: an exchange with Bill Krohn

The battle over Orson Welles

Touch of evil retouched

Excerpt from "Problems of access: on the trail of some festival films and filmmakers" (On touch of evil)

Welles in the lime light: The third man

Orson Welles as ideological challenge

Orson Welles's purloined letter: F for fake

When will - and how can - we finish Orson Welles's Don Quixote?