The genius of parody: imitation and originality in seventeenth- and eighteenth-century English literature

Introduction

"We cannot think of what hath not been thought": or, How critics learned to stop worrying and love literary parody

Parody as plague: Ben Jonson and the early anxieties of parodic destabilization

Minding true things by mock'ries: the Henry V chorus and the question of Shakespearean parody

John Dryden and homeopathic parody in the early Augustan battleground

Parodying Pope's Eloisa to Abelard: Richard Owen Cambridge's An elegy written in an empty assembly room

Parody, autobiography, and the novel: A narrative of the life of Mrs Charlotte Charke and The history of Henry Dumont, Esq., and Miss Charlotte Evelyn.