From the Book - New and expanded edition.
The filmmaker as hunter : Robert Flaherty's Nanook of the north / William Rothman
"Peace between man and machine" : Dziga Vertov's Man with a movie camera / Seth Feldman
Paradise regained : Sergei Eisenstein's Que viva México! as ethnography / Joanne Hershfield
Synthetic vision : the dialectical imperative of Luis Buñuel's Las hurdes / Vivian Sobchack
The art of national projection : Basil Wright's Song of Ceylon / William Guynn
The mass psychology of fascist cinema : Leni Riefenstahl's Triumph of the will / Frank P. Tomasulo
American documentary finds its voice : persuasion and expression in The plow that broke the plains and the city / Charlie Keil
"Men cannot act before the camera in the presence of death" : Joris Ivens's The Spanish earth / Thomas Waugh
The poetics of propaganda : Humphrey Jennings and Listen to Britain / Jim Leach
"It was an atrocious film" : Georges Franju's Blood of the beasts / Jeannette Sloniowski
The "dialogic imagination" of Jean Rouch : covert conversations in Les maîtres fous / Diane Scheinman
Documenting the ineffable : terror and memory in Alain Resnais's Night and fog / Sandy Flitterman-Lewis
Making the past present : Peter Watkins's Culloden / John R. Cook
"Don't you ever just watch?" : American cinema verité and Dont look back / Jeanne Hall
"Ethnography in the first person" : Frederick Wiseman's Titicut follies / Barry Keith Grant
The two avant-gardes : Solanas and Getino's The hour of the furnaces / Robert Stam
Seeing with experimental eyes : Stan Brakhage's The act of seeing with one's own eyes / Bart Testa
"A bastard union of several forms" : style and narrative in An American family / Jeffrey K. Ruoff
The documentary of displaced persona : Michael Rubbo's Daisy, the story of a facelift / Joan Nicks
Gender, power, and a cucumber : satirizing masculinity in This is spinal tap / Carl Plantinga
Documentary film and the discourse of hysterical/historical narrative : Ross McElwee's Sherman's march / Lucy Fischer
Subjectivity lost and found : Bill Viola's I do not know what it is I am like / Catherine Russell
Mirrors without memories : truth, history, and The thin blue line / Linda Williams
Documentaphobia and mixed modes : Michael Moore's Roger & me / Matthew Bernstein
Silence and its opposite : expressions of race in Tongues untied / Sheila Petty
Containing fire : performance in Paris is burning / Caryl Flinn
Contested territory : Camille Billops and James Hatch's Finding Christa / Julia Lesage
Spike Lee's 4 little girls : the politics of the documentary interview / Paula J. Massood
The gleaners and "us" : the radical modesty of Agnès Varda's Les glaneurs et la glaneuse / Virginia Bonner
"You must never listen to this" : lessons on sound, cinema, and mortality from Werner Herzog's Grizzly man / David T. Johnson
Cultural learnings of Borat for make benefit glorious study of documentary / Leshu Torchin.
